As well as the programme on the poster below we have
A late addition to the line-up is the oud/African+Arabic music duo, Nabra, which brings into WCB other facet of ‘water connectivity’, beyond the local. ie – global people movements over water – migration/refugees etc.
The global connectivity is enhanced also by the appearance (also MC for the night) of Helena Enright – from Limerick on the River Shannon in Ireland (also via Bath Spa Uni)
Should be a lovely celebration of a myriad of water linkages and WaterCityBristol (WCB), through poetry, film, theatre and music
Included in the billing is Lucy Izzard’s new River Avon+Eel animated film – Protect The Eels. This has had over 1000 views on YouTube, in less than two weeks!
This is hosted by the ‘Hidden Tides’ commissioned artists – Letterpress Collective, at their event space in CentreSpace Studios.
Down By the River – an evening of art and entertainment Bristol Sunday July 3rd – part of the Towards Hydroitizenship project – Water City Bristol Case Study
Down by the River is co-produced by The Letter Press Collective, NOVA Creative Lab and Helena Enright
A Bristol Loves Tide Event
In a great venue see poster for more details
Dear friends and colleagues, near and far
In July and August 2017, the Future Pasts research project welcomes you to an exhibition hosted by Bath Spa University’s Research Centre for Environmental Humanities.
Held at Gallery 44AD in the centre of Bath, the exhibition brings together images, music and video installations made in collaboration with people and organisations in west Namibia.
It will be a contemplative space where the themes of sustainability, identity and displacement weaving through our research are evoked in registers beyond academic critique.
We will also be hosting a virtual version of the exhibition – please come and visit! For those in Namibia, from 2018 we’ll be reconvening the exhibition in Windhoek and beyond. We hope to see you in one or more of these spaces.
Sian Sullivan; Mike Hannis; Angela Impey; Chris Low; Rick Rohde
In the image above, a Damara / ≠Nūkhoen woman walks through the landscape at Sorris-Sorris, west Namibia. Her voluminous dress echoes those worn by European
missionaries in the 1800s, signalling the complex and hybrid histories enacted in this arid African land.
Photo: Sylvia Diez, March 2016.
From a Future Pasts storytelling event held near Namibia’s highest mountain – the Brandberg or Dâures.
See project website here
Sweet Waters: June 10- 21. Short and longer creative performative walks along the River Avon between Bath and Bristol sensing legacies of slave-ownership.
Wayfaring in obscured histories, reflecting on flow, cycle and memory; alert for sounds, voices, tears, sweat and blood suspended in the water.
Opportunities to gather sound, and images, sketch, share talk and think.
Its not a history walk, we will make it what we make it. Its about us.
A few places are left on a number of these walks.The walks progressively build up to a return walk from Avonmouth on midsummer’s day, Weds 21 June. Walking all the way back to Bath up the river from dawn to dusk, walking with the tide, sharing, gathering sounds images and thoughts.
Join on foot or follow live on Viewranger or Social Hiking and Twitter @walknowlive fb@nowwearewalking
Part of the Festival of Nature, Fringe Arts Bath (embodied cartographies) and Bath Festival Fringe
Register for a walk here: http://www.walknowtracks.co.uk/register-for-a-walk.html
Primordial at Fringe Arts Bath, by Laura Denning; BSU Env Hums PhD
This exhibition brings together eleven artists whose work considers how humans and other species relate to water, often from an ecological and geopolitical perspective. After responding to the annual call out I was selected as a Guest Curator for Fringe Arts Bath 2017. This is my second year of involvement and I was keen to return to Cleveland Pools as a venue. I was also interested in using the curatorial opportunity to explore my research interests as a PhD student at Bath Spa University, doing a practice-led degree in Environmental Humanities. All my work focuses on water and I am becoming increasingly interested in inter-species relationships in an aquatic context. So I put a call out to artists to this effect, and Primordial is the result.
Come to the Finale event with alldaybreakfast at Cleveland Pools, 1pm on Sunday June 11th.
Laura Denning (curator) thanks Bath Spa University Environmental Humanities Research Centre, and Bath Spa University Public Engagement Fund for their kind assistance. Recipient of the Bath Spa University Research Centre for Environmental Humanities inaugural PhD Studentship – practice-led. With many thanks to the Trustees of Cleveland pools, especially Sally and Ann, and to Arran and Scarlet at Fringe Arts Bath, and to all the artists taking part.
More info about the artists can be seen in this flyer download to see
Primordial Flyer Bath Fringe 2017
Our PhD student Richard White is leading a number of interactive walks within the Bath Fringe Festival programme.
These are part of the Sweet Waters project.
Click images to see larger
Two of the events are:
June 10th: Bath’s Last Legal Slave Owners
A walk through the City centre stopping outside the addresses from which slave-owners claimed compensation for releasing the people they owned.
The walk ends at Beckfords Tower.
June 13th: Gathering a Virtual Cargo (1)
Sweet Waters: short and longer creative performative walks along the River Avon between Bath and Bristol sensing the legacies of slave-ownership. Wayfaring in obscured histories, reflecting on flow, cycle and memory; alert for sounds, voices, tears, sweat and blood suspended in the water.
From Keynsham to Bristol.
See more about Sweet Waters, inc other walks here