Here we have records of previous events, including our public lectures, workshops and opening symposia. Most of our public lectures are filmed and viewable below. Most recent events are fisrt.
Wednesday January 16th, 2019
Sounds and the sacred in rock art soundscape – an interdisciplinary exploration of the acoustics of landscapes marked by past communities with prehistoric rock art.
Margarita Díaz-Andreu, ICREA Research Professor, University of Barcelona.
A Bath Spa University Research Centre for The Environmental Hunanities public lecture co-hosted with the Centre for Intercultural Communication through Practice.
Wednesday October 10th, 2018
Glenn Albrecht and Vic McEwan
Solastalgia, Wild Fire & The Butterfly Kiss
Fire is primordial and elemental as it has always been part of the psychic and material existence of human beings. Traditional cultures learnt to live with fire and to control it with, for example, Australian Aboriginal people doing so over ten of thousands of years despite living in a fire-prone environment and a gradually drying climate. Under the impact of anthropogenic global warming in the Anthropocene, fire is once again becoming a life-enemy and is ‘out of control’. Even with the use of technologies such as fire-bombing aircraft, well-equipped fire-trucks and thousands of human firefighters, wild-fire is now capable of consuming all living beings and life forms in its path. Moreover, fire is now occurring at scales, within seasons and in places that are unprecedented in modern history. In this presentation, I will explore what I call, the ‘psychoterratic’ or psyche-earth dimensions of fire and smoke in a rapidly warming world. The direct impact of wild fire on people is devastating and terrifying, an emotional experience I have named ‘tierratrauma’. As the fire is extinguished and people return to desolated home landscapes they also experience ‘solastalgia’, defined by me as the lived experience of chronic, negative environmental change. The emotions of fire and smoke are now being openly discussed world-wide as the transformative power of fire is unleashed for all to see and ‘death smoke’ crosses the boundaries of national states. It is easy to see the ecological and economic costs of wild fire, yet it is a lot harder to see the emotional costs on humans and non-human beings. It is time that we once again looked directly into the flames in order to repair our burnt-out emotions.
Glenn Albrecht retired as professor of sustainability at Murdoch University in Perth, Western Australia in June 2014. He is now an Honorary Fellow in the School of Geosciences, The University of Sydney. He was at the University of Newcastle as Associate Professor of Environmental Studies until December 2008. He is an environmental philosopher with both theoretical and applied interests in the relationship between ecosystem and human health, broadly defined. He has pioneered the research domain of ‘psychoterratic’ or earth related mental health and emotional conditions with his concept of ‘solastalgia’ or the lived experience of negative environmental change. Albrecht is a pioneer of transdisciplinary thinking and, with Higginbotham and Connor, produced a major book on this topic, Health Social Science: A Transdisciplinary and Complexity Perspective (Oxford UP, 2001). He now works as a ‘farmosopher’ on Wallaby Farm in the Hunter Region of NSW, whilst continuing to research and publish in his chosen fields. His next scholarly book, Earth Emotions: New Words for a New World (Cornell University Press), is due to be released in May 2019.
The Butterfly Kiss: #3
This paper is the third in a series called The Butterfly Kiss which looks at the process, role and impact of contemporary arts practice in dealing with the fractures borne from the lived experience of people and place. Positioning creative practice as an open ended and responsive examining of the poetics of care within our communities, The Cad Factory encourages arts practice to bear witness to, contribute to and respond to the thresholds and tensions, blends and blurs (Seigworth, Gregg 2010) of the lived experience. Guided by the MAP (Materiality, Affect and Performativity) of communities and of cross disciplinary arts practice, The Cad Factory positions itself in what Anna Tsing might call “Zones of Awkward Engagement” in order to engage with and contribute to various communities. This presentation examines a body of work that address complex issues from multiple perspectives centering around the project Specimen. This is a project in collaboration with The Australian Institute of Anatomy Specimen Collection from the National Museum of Australia. These Specimens in jars lack any detailed records of their origin, rendering them eternally dislocated from their own histories, from the timescales and landscapes in which they lived. Instead they sit preserved in toxic formaldehyde. Many of the specimens represent species heavily impacted by human activity. By projecting photographs of their ghostlike presences back onto the landscape, Specimen invites audiences to attend to and consider their relationship with their natural environment and its non-human community. In Australia these images were projected back onto the landscape from which they were removed, in the UK they were projected onto places connected to the colonisation of Australia. Animated by place, the final photographs render these specimens both present and absent in a changing environment.
Vic McEwen is the Artistic Director of The Cad Factory, an innovative arts organisation based in the regional NSW town of Narrandera. His practice involves working with sound, video, installation and performance with a particular interest in site-specific work. Vic is interested in working with diverse partners to contribute to and enrich broader conversations about the role that the arts can play in exploring difficult themes within the lived experience of communities and localities. Vic was the 2015 Artist in Residence at the National Museum of Australia, the recipient of the Inaugural Create NSW Regional Fellowship 2014/16 and has shared work internationally in the UK (Tate Liverpool) and Lithuania (National Gallery of Lithuania). He sits on the NSW/ACT Arts and Health State Leadership Group, is a board member of Music NSW, holds a Masters of Arts Practice with High Distinction, a 1st Class Honours of Creative Practice (Fine Arts) and was the 2017 recipient of the Executive Deans Award for Academic Excellence.
Wednesday 16 May, 2018
Iain Biggs and Erin Kavanagh;
The Crow Road
This performative presentation has at its core a new poem by Erin Kavanagh entitled The Crow Road, taken as a basis for reflecting both on aspects of the relationships between non-human and human beings and on related issues of place, presence and absence.
We take as our academic starting-point two observations: Firstly, Barbara Bender’s view (broadly interpreted) that:
“Landscapes refuse to be disciplined. They make a mockery of the oppositions that we create between time [History] and space [Geography], or between nature[Science] and culture [Social Anthropology]” (Bender quoted Massey 2006: 34)
and secondly, Gaston Bachelard’s provocative suggestion that:
“It might even be a good idea to stir up competition between conceptual and imaginative activity. In any case, all efforts to make them cooperate are doomed to disappointment. The image cannot give matter to the concept; the concept, by giving stability to the image, would stifle its existence.” (Bachelard in Guadin 1994: 6).
Erin Kavanagh’s poem evokes imaginal reflections that both converge with and counterpoint Iain Biggs’ long-term research concerns with an animism ‘hidden in plain sight’ in traditions of Scottish vernacular culture. This provides the productive tension that animates their collaboration. The performance itself will consist of a resonant constellating of interrelated images through the process of both convergence and counterpoint.
About the speakers
Erin Kavanagh is a poet and photographer, artist, archaeologist and academic based in West Wales. Her research concentrates upon the space between disciplines, encompassing narrative and knowledge representation, with a particular emphasis upon submerged landscapes. In 2015 she created a deep mapping project called ‘Layers in the Landscape’ in which to bring many disciplines into conversation with one another. This is ongoing and has piloted a POC employing poetry as archaeological method for public engagement.
Iain Biggs works as a doctoral supervisor, artist, researcher, and writer based in Bristol who regularly visits the north of England, Scotland and the Irish republic. He has a long-term interest in deep mapping and is currently contributing to an AHRC-funded project on hydro-citizenship. He has been exploring ‘lost’ vernacular quasi-animist traditions through site-specific work on the English/Scottish Borders for many years, and has a related interest in convergences between ‘subjugated’ traditional ontologies and contemporary theory.
Wednesday 18 April, 2018
Moving Beyond: Site-Responses, Eco-Soma & other Performance – Activisms
This presentation introduces and discusses tendencies and strands of critical eco-performance practices through case-studies of works by various British and international artists and collectives. The author will also reflect on his own somatic-informed and site-reactive performance works and educational projects in international contexts.
Holburne Museum, Bath
Wednesday 18 April, 2018
Moving Rock: Embodied Correspondences with the Material World as a Force for Creative Action
Holburne Museum, Bath
The French philosopher of science and imagination Gaston Bachelard, identifies the material elements of earth, air, fire and water as conductors of human imagination, ‘poeticising substances’ that guide our orientation to the world around us. I will discuss how in my research and international practice as theatre-maker, I adopt Bachelard’s ‘vibrant matter’ as a force for devising theatre that urges us to join with the world rather than defend ourselves against it. This presentation shares some of the intercultural practices that have informed my research and introduces a larger project planned for the Atacama Desert, Chile (2019), which seeks to raise awareness of the challenges faced by communities living in volatile environments.
Wednesday 18 April, 2018
The dancer who pulled a canoe on a Xingu river made of tarmac OR The strength in the fragility of the solo Artivist OR When I gave a white rose to BHP Billiton’s CEO
(A performance talk at the Holburne Museum – A PERFORMING ENVIRONMENTS FORUM event)
Brazilian contemporary dancer and actor recounting his 20 year performance career, including recent protests against Brazilian located ecocide.
Tiago Gambogi recounts how his 20 year performance career culminated with him forcing a wooden canoe into a closed meeting at the offices of Belo Monte Hydroelectric Dam’s consortium offices in Altamira, Pará, Brazil, supported by 100 local fishermen, indigenous people and NGO supporters. Gambogi shares his field research and interviews undertaken for Project Trans-Amazônia when he travelled along the Transamazon highway in Brazil during 2012-13. He will discuss the Brazilian socio-political-environmental context and its relationship with globalization: Brazil’s economy is strongly focused on mineral extraction and exportation, de-forestation and the genocide of the Brazilian indigenous people. The scavenging vulture, rather than the parrot, becomes the new symbol of the Amazon – dressed in a black suit for dinner amongst executives it feeds on the country’s rotting rubbish in the forest and rivers.
Showing his work with various collaborators and in different media – environmental and stage performances, street performance protests, videos and photography – Gambogi analyses and reflects on the techniques used: guerrilla clowning, contemporary dance and physical theatre, improvisational and instant composition, pole dance, Japanese Butoh. He demonstrates how the work creates a physical dialogue with the various sites in which it was performed – the streets of London, the Amazon rainforest and the banks of the Mariana dam disaster in Brazil. A thought provoking talk which urges you to take responsibility for your actions in the environment.
Wednesday 21 March, 2018
Noise, Sound, Silence
Life begins in the noise of birth and ends in the silence of death. In between is sound. Both noise and silence are experiences of hearing nothing. But blinding white light and the pitch black of night are also experiences of seeing nothing. How then, can we tell noise from silence, or black from white?
In this talk, Tim Ingold will focus on the meaning of sound, but do so by way of its comparison with light. He will show how in the case of light, it is necessary to distinguish between the ray and the beam: the first a line of emission, the second a line of combustion. He will also argue that to grasp the full experience of sound, pitch and timbre must be rejoined, just as it is necessary to reunify colour with lustre if we are to grasp the experience of light.
Tim Ingold is Professor of Social Anthropology at the University of Aberdeen, and a Fellow of the British Academy and the Royal Society of Edinburgh. Following 25 years at the University of Manchester, Ingold moved in 1999 to Aberdeen, where he established the UK’s newest Department of Anthropology.
Ingold is currently writing and teaching on issues on the interface between anthropology, archaeology, art and architecture. He is the author of The Perception of the Environment (2000), Lines (2007), Being Alive (2011), Making (2013) The Life of Lines (2015) and Anthropology and/as Education (2017).
Friday 26th January 2018
Marie Claire Lavabre
The Politics of Memory
Marie-Claire Lavabre is a well-known Professor of Sociology specialising in public memory and the politics of the past, who has authored books concerning political uses of the past in contemporary France (2017), Europe and its representations of the past (2008), the sociology of Communist memory (2004) and the social movement politics of 1968 (1998).
Professor Lavabre will be joined by Dr Alison Hems, Senior Lecturer in Heritage and Public History at Bath Spa University, who will act as discussant for Professor Lavabre’s talk. We will close with an open Q&A, followed by wine and nibbles.
This public keynote lecture is organised as part of the Arts and Humanities Research Council (Care for the Future) and LABEX-PasP project Disrupted Histories, Recovered Pasts / Histories Perturbées, Passés Retrouvés, coordinated at Bath Spa University by Sian Sullivan, Professor of Environment and Culture.
Wednesday 17 January, 2018
Writing a Season – a talk about a work in progress about the world in progress. My next book has a working title Greenery and is about the spring. Having written about the air in The Running Sky, a place we share with birds but do not inhabit quite as they do, and then the earth in Four Fields, the stuff out of which we come and the common destination for all, I found myself drawn to write about time. We grow old but the spring comes again. So it seems. Might I keep in step with a season and find a common time? I see the world around me via birds and so I decided to follow the seasons of some birds from their African winters in the scrubby desert where the Sahara sands grow thorns all the way north to the Arctic in June where the same birds do what they must with nests and eggs and chicks, in the freshest greenery under astonishing midsummer light. I also travelled north through Britain from Cornwall to Shetland. The spring moves north through Europe at walking pace. Discovering that made it impossible not to want to do it and to keep in time.
Tim Dee is a writer and a radio producer. He is the author of a memoir about his birdwatching life, The Running Sky, which was published in 2009. His latest book is Four Fields. It is, not surprisingly, about four fields. One is in the Cambridgeshire fens, the others are on an old tobacco farm in Zambia, at the Custer battlefield in Montana, USA, and in the Exclusion Zone in the shadow of the exploded nuclear power plant at Chernobyl, Ukraine. He has been a BBC radio producer for 27 years making arts documentaries, poetry programmes, history features and radio drama for Radio 3 and 4. Before he joined the BBC he worked for the International Council for Bird Preservation (now Birdlife) and wrote on threatened species and the endemic birds of Madagascar. When not in Bristol he lives on the edge of the fens. He is at work on two new books: one about the spring in Europe; the other, Landfill, about men who watch gulls. He is also editing an anthology of new writing about place for Jonathan Cape and the organisation Common Ground.
Wednesday December 13th 2017
Killing Nature to Save It? Ethics, Economics and the Trophy Hunting of Black Rhinoceros
Supported by large conservation NGOs, the US government has recently reaffirmed its support for the counter-intuitive practice of raising funds for conservation by selling rights to shoot individuals of the very species being conserved. This talk explores discourse generated by the controversial trophy hunting of an endangered black rhinoceros in Namibia by a wealthy US hunting enthusiast. Consideration of the conflicting ethical arguments, illustrated by hypothetical analogous cases, suggests that what initially appears as a triumph of utilitarianism over other ethical approaches may be better understood as a triumph of economics over ethics.
Mike Hannis is Senior Lecturer in Environmental Humanities at Bath Spa University. His academic background is in environmental ethics and political theory, and recent publications include a Routledge research monograph entitled Freedom and Environment: Autonomy, human flourishing and the political philosophy of sustainability. This talk is based on work undertaken as part of the AHRC-funded research project Future Pasts (www.futurepasts.net), led from BSU by Prof. Sian Sullivan.
Video including discussion at the end:
PDF of poster Mike Hannis Talk Poster
Few pics of the talk:
Video including discussion at the end:
Wednesday 18th October, 2017
FROM SEXUAL SELECTION TO SEX AND THE CITY: THE BIOGEOGRAPHIES OF THE BLUE BIRD-OF-PARADISE
Merle Patchett; University of Bristol, School of Geographical Sciences
Abstract. This paper takes as its starting point an encounter with a preserved blue bird-of-paradise skin. Though rare, the bird became wildly famous after it perched atop the head of Carrie Bradshaw during Sex and the City: The Movie. For those handling bird-of-paradise skins the ethereal beauty and luxurious quality of their plumage is immediately felt, making it easy to understand why birds-of-paradise have “for millennia been ornaments, commodities and gifts”. [i] Yet as Darwin’s theory of sexual selection tells us, the birds’ exuberant plumage evolved entirely for their own pleasure. This paper will therefore chart the blue bird-of-paradise’s biogeographies of excess: from sexual selection to Sex and the City. Tracing the lively geographies of this dead bird from New Guinea rainforests to New York streets offers the opportunity of narrating collective natural and cultural change over time and space. This is because the blue bird-of-paradise can be thought of as a “telling example” of the millions of Paradisaea that were hunted, traded, shipped and lusted after since their earliest forms of commodification. Moreover, with the Paradisaea now said to be on a “flight to oblivion” the paper will conclude by outlining how the blue bird-of-paradise offers a way of working towards transspecies histories and therefore multispecies recuperation.
Merle Patchett is a cultural-historical geographer by training. Her research broadly focuses on theories, histories, and geographies of practice. This focus has led her to engage empirically with a range of specialised skills (e.g. taxidermy and plumasserie), practitioners (e.g. artisans, artists and architects), and places of practice (e.g. museums, galleries and archives) and to develop practice-based methodologies. See Merle’s staff pages here
Pic of talk
Video: discussion at the end
Saturday 5 – Sunday 13 August, 2017
Association of Commonwealth Universities Summer School
Creating greener narratives through the environmental arts and humanities
Bath Spa University, UK
The ACU Commonwealth Summer School – now in its seventh year – provides an opportunity for talented university students from around the Commonwealth to come together for an exciting week of expert lectures, group work, field trips, skills development and social events.
The Environmental Humanities
The 2017 Summer School explored interrelationships between humans and other living beings, and between cultural practices and environmental problems – and looked at how these can be examined through different academic disciplines and creative arts. Bath Spa University is a world leader in research and teaching in these areas.
- More information on this year’s theme and the host university is available here.
- Take a look at the programme for more detail.
Confirmed speakers include the following:
- Dr Husna Ahmad OBE – CEO, Global One
- Dr Martha Akawa-Shikufa – Deputy Dean, Faculty of Humanities and Social Science, University of Namibia
- Professor Irma Eloff – Faculty of Education, University of Pretoria, South Africa
- Professor Owain Jones – Professor of Environmental Humanities, Bath Spa University
- Dr Paul Reid-Bowen – Senior Lecturer, Study of Religions, Philosophies and Ethics, Bath Spa University
- Martin Palmer – CEO of the Alliance of Religions and Conservation
- Professor Kate Rigby – Research Centre for Environmental Humanities, Bath Spa University
- Professor Sian Sullivan – Professor of Environment and Cultures, Bath Spa University
- Professor Anita Taylor – Dean, Bath School of Art and Design, UK
Friday 14th July, 2017
Environmental Humanities: Perspectives in Practice
Postgraduate Forum organised by PhD student Laura Denning
The first Environmental Humanities PG Forum is intended as a student-led event, providing an opportunity for presentations on work-in-progress, to which staff are warmly invited. Refreshments will be provided, with a small reception closing the event.
Speakers’ Abstracts and Bios
Stroudwater Scarlet cloth
Exploring the dynamic human & non-human relations in site-specific fabric – boundless Kin(g)doms that matter
Initial investigations into Stroudwater Scarlet cloth (‘Strouds’), the red woollen cloth and the related industries and artefacts emanating from the Stroud Valley, shows an intriguing mesh of colonial and trade relations as evidenced by material objects including uniforms and indigenous garments. This ‘social life’ of the fabric bears witness to both Colonial and commercial forces and unexpected use within a global trade network. The nonhuman network embedded within the cloth is legible too and this research seeks to ‘read’ the elements inherent in the cloth. By interpreting the ‘process of mattering’ (Barad, 2003) we may comprehend several viewpoints and beings that are ‘caught in the fabric of the world’ (Merleau-Ponty). Through a body of reflexive, practice-led research projects it is anticipated that the interpretation of the material objects and artefacts may provide other understandings of human and non-human relations. The project-led component of my research will be divided into four different categorisations of matter state based upon a determined number of elements in the fabric. The methodology will be differentiated for each ‘Kin(g)dom’.
Patricia Brien is currently Principal Lecturer in Fashion and 3D Design at the University of South Wales. Her area of specialisation is sustainability, materiality and alternative spiritualities in relation to textiles and garments. She completed her MA Research (Textiles) at RMIT in 2015 under the title of Re-Enchanting Fashion which explored notions of place, material and ritual in a participatory project called Spiritus Loci. She holds a BA and MA (course work) in English Literature from UNSW. She lives in Stroud and participates in earth-centred circles.
Human-Animal Relations in the German Dairy Industry
A genealogical analysis
Despite their strongly controversial character, human-animal relations in dairy production have hardly been focussed on in human-animal studies, the environmental humanities or adjacent fields of research. Therefore, in my thesis I investigate human-animal relations in the German dairy industry using Foucault’s concept of genealogy as well as his archaeological method of discourse analysis. The key sources that my analysis is based on are agricultural science books and agricultural literature of three historical time spans between 1800 and 1970. Additionally, I look at contemporary agricultural (science) discourse. Drawing on the Foucauldian concept of power-knowledge, I seek to answer the question as to how the knowledge on cows used for dairy production historically evolved within power-knowledge relations. Additionally, I analyse how this knowledge materialised in actual practices and the bodies and lives of the cows. On a methodological level, I seek to answer the question as to how a Foucauldian genealogy has to be adapted in order to adequately analyse human-animal relations.
Aiyana Rosen is a Ph.D. student at the Institute for Political Science of the Free University Berlin. She has been at the Centre for Environmental Humanities in Bath for a research semester since April. Aiyana holds an M.A. degree in political science, modern history and philosophy. One of her main research interests is the critical analysis of human-animal relations. In that field she has co-edited two books and published several papers. She is a co-founder of a research group for human-animal studies (Chimaira) as well as one of the founding members of an educational organisation (Mensch Tier Bildung) that creates and gives workshops on animals in agriculture.
I’ve come to talk to you briefly about the script for a feature film I’m writing, as part of my MA course, about a group of Greenpeace protestors who were arrested in the Arctic. The group were called the Arctic 30 – unsurprisingly the name of the film – and you might remember them and their plight from the time of the incident, back in 2013.
My talk will cover how I came to be writing my own draft for a film that has actually been scheduled to get made and how I approached the research and creative processes of the project. Mine is what you might consider ‘a ghost draft’. I am sending it to the producer, who said he will forward it on to his ‘creative team’, but there are already well-known and professional writers working on the official draft.
Ben Crushcov is an MA Scriptwriting student from Corsham, who is specialising in writing for television, radio and independent films. He has spent the last four years of his life teaching English and gaining profession experience as a features writer and editor, whilst studying at BSU – he completed a first class honours degree in education and creative writing, before moving on to a postgraduate course this year. He is a single parent to two boys and a rugby coach, and aims to teach the craft of writing in academia alongside developing his screenwriting career after graduating.
Mapping place through the visual arts: a contemporary approach to landscape.
In this paper I will look at contemporary artists who create visual artwork, primarily paintings and drawings that ‘map’ and ‘record’ different aspects of a place. The work moves away from a traditional ‘landscape view’ towards a more layered, ambiguous representation of a place and its uses. I will examine different processes and techniques being used; from John Virtue’s multiple panels of landscape imagery to Julie Mehretu’s layered drawings of historical buildings and unrealized architectural plans; Ingrid Calame’s tracings of spills and graffiti along the L.A River and Mark Bradford’s use of found paper flyers from his neighbourhood.
Within this context, I will discuss the development of my own visual artwork in response to walks along and research into the Taw and Torridge Estuaries in North Devon as a way to capture and convey a sense of their unique identity. Themes of walking, texture, time, memory, layers and the small or overlooked details underpin my work, which aims to create multifaceted and multi-layered ‘maps’ that provide a textural response in an increasingly digital world
Lydia is an Artist and Researcher currently part-way through a practice-based PhD in Fine Art. Her focus is an ongoing exploration of abandoned places captured through painting, drawing and experimental recording techniques. She adopts processes that engage with passing time, weathering, decay and entropy to reflect the natural processes that are particular to the places where she walks and works. Her works come together to create a series of multi-layered, textural maps and recordings that aim to capture and convey her experience walking in and researching a place.
“Flooding the Bathtub: The Politics of Invisibility and Community Resilience in Behn Zeitlin’s Beasts of the Southern Wild (2012)”.
The intensification of coastal erosion has left the road leading to the Isle de Jean Charles in Southern Louisiana vulnerable to flooding, cutting off the island from the mainland. Its jeopardy is just one example of the environmental challenges facing the bayou communities. As an important symbol in Behn Zeitlin’s Beasts of the Southern Wild, the erasure of the road dissolves the path to family, dwelling place and home. This paper explores the film’s focus on water as a material center and geopolitical framework for theorizing diasporic and regional connectivity. It builds upon Nixon’s conception of “unimagined communities” to argue that Zeitlin urges a reconsideration of anthropogenic environmental change in terms of defiance against the effects of industrial-capitalist development. It shows how the adaptive survival of the Bathtub community departs from the concept of environmental disaster as singular, relating it to past policies of deregulation and privatization enacted across the region.
I completed my BA in English Studies at the University of Exeter in 2013 and returned later in the year to undertake an MA in English Literary Studies, researching representations of flooding in contemporary literature and film.
I am very fortunate to have been awarded a Studentship in the Environmental Humanities at Bath Spa University. My thesis, entitled “‘[S]wift with the advancing tide’: Flood Narratives in the Anthropocene”, examines the ways in which the material and discursive particularities of flood narratives and their political trajectories act as topological metaphors for examining environmental relations within the Anthropocene.
Ruth Olden, PhD
Lost world of the nearby: Minimal ethics on Govan Graving Docks
In this presentation I will consider what it means to do engaged environmental humanities research on a fated landscape. The focus falls on a rewilded ruined landscape in the city of Glasgow, Govan Graving Docks, a significant cultural landscape that now faces contested commercial redevelopment. In 2014, I staged a repertoire of salvage-research practices on the docks to better understand the communities, ecologies and enduring bonds that stood to lose out to the redevelopment, and also to make meaningful differences on the ground in the process. These practices were emergent, urgent, collaborative and public-facing, and strongly influenced by Zylinska’s ‘minimal ethics for the Anthropocene’ which identifies modes of working for contexts in which life is under threat. By identifying the particular challenges that the fated landscape presents to the invested researcher, and the methodological resources that are available to sustain research in contexts of destruction and uncertainty, this presentation will consider what it means to respond to the dispossessions, extinctions and alienations wrought by the Anthropocene. A creative pragmatics (that can be put to work in instances of local environmental change) will be proposed for discussion and debate.
Ruth is a cultural geographer, landscape architect and landscape writer, and she holds a PhD in cultural geography from the University of Glasgow. Ruth is interested in the bonds that tie people and place, and how they can become a source of resilience in times of environmental and social uncertainty. Her work takes her to ruins, wastelands and industrial shadowlands, where these connections are under increasing strain. She works with communities to critically story these landscapes, to imagine and to enact new forms of environmental engagement, and ultimately to forge new kinds of resiliencies and dependencies across local landscapes and communities.
Primordial; Hydrofeminism and Deep Listening
Astrida Neimanis, in her essay Hydrofeminism (Or, on becoming a body of water) asks what might becoming a body of water – ebbing, fluvial, dripping, coursing, traversing time and space, pooling as both matter and meaning – give to feminism, its theories and its practices?’ (2012:86). In undertaking a PhD is response to this question I have set myself up to explore potential responses through my art practice. My work has as its foundation the practice of painting, and over the years this has developed into film-making, or moving paintings. These are often combined with sound works that I call sonic drawings. All my work uses water as a motif. I recently curated and presented a group exhibition that brought together eleven artists whose work considers how humans and other species relate to water. I shall consider a selection of the artworks as the vehicle for this paper.
Recipient of the BSU Research Centre for Environmental Humanities inaugural PhD Studentship. I trained as a painter and now use moving image, and sound, augmented reality and live art. I am particularly interested in site, data and sensation. My work is regularly selected for exhibition across the UK and beyond – my latest film (a conversation between an island, the mainland and the ocean, produced with the help of communities on Barra in the Outer Hebrides) will have been screened in the UK, USA, Italy, Greece, Australia, Portugal and Sweden by the end of 2017, in venues such as the Arnolfini, Bristol, Jill Craigie Cinema, Plymouth, and various international academic institutions. This project includes collaboration on a chapter of a book ‘Imagining Islands: Visual Culture in the Northern British Archipelago’ to be published by Routledge in late 2017.
A few photos of the event (Owain Jones)
Wednesday 24 May, 2017
Global Ecologies and the Environmental Humanities
Professor Joni Adamson
In this lecture, Joni will range from the global to the local, across geographies, ecosystems, climates and weather regimes, moving from icy, melting Arctic landscapes to the bleaching Australian Great Barrier Reef, and from an urban pedagogical “laboratory” in Phoenix, Arizona to Vatican City in Rome. Joni will explore how Environmental Humanities projects and scholarship is showcasing the ways that humanists and social scientists are working to “integrate knowledges” from diverse cultures and ontologies and pilot new “constellations of practice” that are moving beyond traditional contemplative or reflective scholarly outcomes (the book, the essay). These innovative projects are affirming what Mike Hulme (2009) has observed: that framing complex environmental changes as “mega-problems” necessarily demands “mega-solutions,” and this perception “has led us down the wrong road”. These projects are illustrating how humanists and social scientists can work with local community-based alliances, not to find one solution but a range of evidence-based, reasoned, scaled, and culturally diverse responses “reflective of life in a plural world” (Castree et al. 2014).
Joni Adamson is Professor of Environmental Humanities in the Department of English and Senior Sustainability Scholar at the Julie Ann Wrigley Global Institute of Sustainability at Arizona State University where she directs the Environmental Humanities Initiative (EHI). She lectures internationally and is the author and/or co-editor of many books that helped to establish and expand the environmental humanities, including Keywords for Environmental Studies (New York University Press, 2016) and Humanities for the Environment: Integrating Knowledge, Forging New Constellations of Practice (Routledge, 2016). She is a Convener of the North American Observatory of the Humanities for the Environment global network.
Bird Whale Bug: Why Make Music With Nature?
Public lecture and lunchtime recital; Michael Tippett Centre, Bath Spa University
Musician, composer and writer David Rothenberg has long been interested in the musicality of sounds made by inhabitants of the animal world. He has jammed live with lyrebirds, broadcast his clarinet underwater for humpback whales, and covered himself in thirteen-year cicadas to wail away inside a wash of white noise.
In this lecture and performance double-bill, Rothenberg presents a musical trajectory through several of his favorite species, revealing their distinct and evolved aesthetic senses in an attempt to show that music can reach across species lines, from human to animal, and back. Creatures whose musical worlds we will enter include the nightingale, humpback whale, three-humped treehopper, snowy tree cricket, seventeen-year cicada, white-crested laughing thrush, superb lyrebird, European marsh warbler, lesser water boatman and the mountain pine bark beetle.
He will discuss his current work playing music live with nightingales, which he is doing this May in southeastern England.
Thursday May 11th 2017
Arts and Social Change Group meeting 1.00 pm – 3.00 pm; Newton Campus; CM.111
“The Arts and Social Change (ASC) Research Group brings together researchers across the College of Liberal Arts whose work engages with issues of social justice and the facilitation of social intervention and change through the arts.”
See here for more details of the group. Please email l.purcell-gates[at]bathspa.ac.uk if you are interested in the group.
Wednesday 10th May
Talk by visiting scholar Dolly Jørgensen
Associate Professor, History of Environment and Technology
Luleå University of Technology
Weds May 10; 5.30 – 6.30; Newton Campus; CM.133
This talk examines a pivotal effort to reintroduce the European beaver in Europe. The earliest successful beaver reintroduction project in Europe was bringing back the beaver to Sweden in 1922. Beavers had been extinct in the country for about 50 years when a group of people interested in both natural and cultural heritage conservation worked to bring them back. In those efforts to bring back the beaver, stories were told: stories from old men from the Jämtland region who recounted stories of the great beaver trappers and the slaying of the last beavers; stories of grandmothers whose grandmothers used medicine made from beavers; stories of how the beaver once lived and died on the land. The memories of the beaver, while the stuff of legend, were integral to the decision to reintroduce it.
Dolly Jørgensen is an environmental historian with broad research interests, ranging from medieval to modern history. Her research areas have included medieval forestry and agriculture, late medieval urban sanitation, offshore oil policy, animal reintroduction, and environmentalism in science fiction. Her current research project deals with animal reintroduction, rewilding, and deextinction, which can be previewed on her project blog “The Return of Native Nordic Fauna” . She has co-edited two volumes: New Natures: Joining Environmental History with Science and Technology Studies (2013) and Northscapes: History, Technology & the Making of Northern Environments (2013). She was a practicing environmental engineer before earning a PhD in history from the University of Virginia in 2008. She is currently Associate Professor of History at Luleå University of Technology, Sweden, and from August 2017 will be Professor of History at University of Stavanger.
This is not a public lecture. If you intend to attend, or have any questions, please email firstname.lastname@example.org
Monday May 8th 2017
Nature and Wellbeing Workshop, Bath Spa University
Newton Campus; 108 Commons
An interdisciplinary Nature and Wellbeing workshop 12.45pm – 16.15pm followed by a talk by Mya-Rose Craig, ‘Birdgirl’
The workshop will featuring academic speakers and representatives from environmental groups. Information about the event and key themes: Nature Wellbeing Workshop 8th May
12.45 Arrival and lunch.
13.00 Papers, workshops and discussions (timetable to be released soon)
16.30: Mya-Rose Craig’s talk
17.30 drinks reception and event end
This is part of this AHRC project “Cultures of Nature and Wellbeing Connecting Health and the Environment through Literature” headed by Sam Walton
Please email s.walton [at] bathspa.ac.uk for more details and to book a place.
Wednesday May 3rd 2017
Hull ‘Another City of UK Culture’
Mariele Neudecker will talk about the exhibition “Offshore, Artists Explore the Sea” in the context of Hull being the current UK City of Culture. “Offshore” is an exhibition featuring 23 artists, curated by art and science organisation Invisible Dust. Mariele will speak with particular focus on her own new works made for this exhibition, which are currently held at the Ferens Art Gallery and the Hull Maritime Museum. She has been making work related to the deep oceans and the Arctic for some time, and will contextualize her ideas and other projects within the art/science context.
Mariele is on the supervision team of The Environmental Humanities PhD being undertaken by Laura Denning.
Friday April 28th 2017
Digital Ecologies and the Anthropocene One Day Symposium.
Media Convergence Research Centre, Commons (CM119)
Newton Park Campus
Bath Spa University
Newton St Loe
Bath BA2 9BN
09:30 – 18.00
Tickets cost: £ 15.00
PhD Researchers and students: £ 10.00
Tickets include lunch, coffee and wine reception.
BOOK TICKETS via Bath Spa Live
“Ecolinguistics & the search for new stories to live by”
Dr Arran Stibbe Reader in Ecological Linguistics, University of Gloucestershire.
NP.CM.G24 lecture theatre; Weds April 12; 6.15 -7:30 pm (drinks, nibbles, and chat to follow)
In this talk, Arran Stibbe will explore the emerging field of ecolinguistics, a form of engaged research which aims to reveal the stories that underpin an unequal and unsustainable society, and contribute to the search for new stories to live by. He will describe how ecolinguists use discourse analysis to reveal underlying stories, and an ecological philosophy to judge them against, illustrating the theory with a diverse set of examples from advertisements and economics textbooks to British nature writing and Japanese Haiku.
Arran Stibbe is a reader in Ecological Linguistics at the University of Gloucestershire, U.K., author of Ecolinguistics: language, ecology and the stories we live by (Routledge, 2015), Animals Erased: discourse, ecology and reconnection with nature (Wesleyan University Press, 2012) and editor of The Handbook of Sustainability Literacy (Green Books, 2009). He has a background both in linguistics and human ecology, and teaches a range of courses including ecolinguistics, ecocriticism, ethics and language, communication for leadership, discourse analysis and language and identity. Arran is founder and convenor of the Ecolinguistics Association (http://ecolinguistics-association.org), a network of 500 ecolinguists from around the world, and is currently working on a free online course in ecolinguistics (http://storiesweliveby.org.uk)release at the end of spring this year.
pdf of event here Stibbe’s poster final 3
Wednesday April 5 2017
Getting Closer to the Natural World:The EcoWild Project
Emily Malik (Founding Director of EcoWild)
Emily Malik has a background in conservation biology and a strong personal interest in deep ecology. She hopscotched between working in environmental and health spheres before realising that she wanted to bring both together to enable the green agenda to permeate our cultural evolution. In this short talk she will discuss her journey from biologist to director of a multidisciplinary, woodland-based community interest company. EcoWild delivers Woodland Mindfulness and Wellbeing courses, Woodland Wildlife Adventures and forest schools, science fairs, toddler groups, parties and respite days, retreats and seasonal celebrations in B&NES.
Emily holds a BSc in Biology from Bristol University, where she has also conducted pilot Research on the development of the Strongyloides sterocalis parasite in relation to host immune function in association with a rural Ugandan HIV clinic. She has worked as director of the Biashara Fair-Trade Cooperative; logistics manager and researcher for a Marine Conservation Research Project in southern Madagascar; project manager for the Tropical Health and Education Trust (London and Africa); and Community Support Services Coordinator for the Terrence Higgins Trust. In 2013, she founded the EcoWild Community Interest Company, of which she remains the director.
Weds 15th March 2017
The role of zoos in wildlife conservation
Christoph Schwitzer: Director of Conservation at the Bristol Zoological Society
Zoos have been playing an active role in wildlife conservation since over half a century. Collaborative conservation breeding in UK zoos started in the late 1960s with the formation of the Okapi Consortium, of which Bristol Zoological Society was a founder member. This was one of the first formalized conservation breeding programmes worldwide. In the late 1980s, and further pushed by the publication of the first World Zoo Conservation Strategy in 1993, zoos started to fund, and actively run, field conservation projects. Bristol Zoological Society’s first multi-year funding commitment to a conservation NGO was to the Hawk and Owl Trust in 1992/93. In 1998, the Cameroon programme was started as BZS’s first major field conservation programme abroad. The third, and potentially most important strand of zoos’ contribution to conservation is engaging people with the natural world, teaching all levels of Society about the state of the world’s natural environments and promoting positive behaviour change towards more wildlife-friendly actions. Behaviour change and its evaluation has only recently become part of our portfolio. We ran our first dedicated behaviour change campaign, on FSC-certified charcoal, in the summer of 2013. My talk will explore how Bristol Zoological Society is contributing to global species conservation, focusing in particular on primates.
Dr Christoph Schwitzer has been Director of Conservation at the Bristol Zoological Society since May 2014. Prior to this he was BZS’ Head of Research for seven years. Before coming to Bristol, Christoph worked as part of the primatological research group at Cologne Zoo, Germany, and spent two years in Madagascar building a field station and heading a lemur research and conservation programme for a French NGO. Christoph gained his PhD in Zoology from the University of Cologne in 2003 and has been a Visiting Professor at the University of the West of England since 2013. He is the Deputy Chair and Red List Authority Coordinator of the IUCN Primate Specialist Group. He was a Vice President of the International Primatological Society between 2012 and 2016 and is currently the Vice President of the Association Européenne pour l’Etude et la Conservation des Lémuriens, a consortium of European zoos dedicated to lemur conservation. Christoph’s recent research has focused on how different critically endangered primates are coping with habitat degradation and fragmentation with regard to their behaviour patterns, food intake, population density, and parasite burden.
The Bath Spa Research Centre for Environmental Humanities presents:
‘Voicing the land’
A Free Public Lecture by Julian Wolfreys
Professor of English and Director of the Centre for Studies in Literature at the University of Portsmouth
NP.CM.G24 lecture theatre on Weds 15th Feb 6-7:30pm
The paper will address the work of John Burnside, Kathleen Jamie, and Alice Oswald, from a mostly phenomenological perspective, opening to discuss the writing of poetry itself, from the ‘other side’, that is, as a poet. With a little from Hardy and Woolf too, it will look at the way in which one might respond to place, and how voice comes to bear witness to place, so that the voice in, and the writing of the poetic text arrives as a response to the phenomenally and materiality of the other. In order to illustrate this in a number of ways, Julian will read from his first novel, Silent Music, a collection of poetry and essays, Draping the Sky for a Snowfall, and The Grand European Bestiary / Wielki Bestiarius europejski – a bilingual collection of poems. In conclusion, he will sketch directions for new work including some ambient soundscapes, musical improvisations, which are recorded in situ in the landscape.
Julian Wolfreys is Professor of English and Director of the Centre for Studies in Literature at the University of Portsmouth. Author and editor of over forty books, his most recent publication is Haunted Experience: Being, Loss, Memory (Triarchy Press),and he is at present completing work on a book about Englishness, melancholy, memory and place in the 21st century. Having completed and published two collections of poetry (Draping the Sky for a Snowfall) (The Grand European Bestiary / Wielki Bestiariusz europejski) and a novel (Silent Music) in the past three years, and has recently completed a second novel set in Dorset and California in the nineteenth century, entitled The Farcical Tragedy of Hugo del Fuego and is working on a third volume of poetry. Julian is also a musician, working as a solo performer and as part of a duo, Stupidity, who are recording a CD, titled The Broccoli Forest, due for release at the end of spring this year.
Copies of the books will be on sale. All proceeds to the World Wildlife Fund
Bath Spa University
Research Centre for Environmental Humanities
15-16 December 2016
Environmental Humanities: Doing Interdisciplinarity with Depth
photo credit Mariele Neudecker
It is increasingly well-recognised that today’s complex socio-environmental problems cannot be adequately understood, let alone redressed, from either side of the nature-culture divide that structured the modern constitution of knowledge, and that remains embedded in our educational and research institutions, as well as in dominant cultural imaginaries and social practices. Over the past few decades a growing number of scholars on both sides of the great divide have embraced the challenge of multi-, inter- and transdisciplinary research. In some cases, this has also entailed creative conversations between modern Western and other ways of knowing.
Bath Spa University’s Research Centre for Environmental Humanities seeks to advance this multi-, inter- and transdisciplinary project across the University, in collaboration with artists, scholars, extra-academic organisations, and the wider community, locally, nationally and internationally. However, we also recognise that this is easier said than done. In our inaugural symposium, we therefore want to move beyond motherhood statements to explore the challenges involved in doing interdisciplinarity well and ‘at depth’ across the Environmental Arts, Humanities and Social Sciences, and to consider the impediments and opportunities that might line our potential pathways to impact.
Among the key questions that we will be pursuing with a group of eminent scholars from diverse disciplines and inter-disciplines are the following:
- What is the place of in-depth specialist knowledge in the inter- and transdisciplinary space of the Environmental Arts, Humanities and Social Sciences?
- Might the distinct methodologies conventionally deployed by different disciplines express deeper onto-epistemological divides, and if so, how might these be exposed and negotiated?
- With increasing acknowledgement of the value of local and indigenous knowledges (e.g. in the 2014 IPCC Report on Climate Change Impacts, Adaptation and Vulnerability), there is a risk that such traditional stores of knowledge might be mined for global policy agendas that disregard the particular interests, values and ontologies of generally marginalised and disempowered communities. How might this risk be averted?
- What diplomatic protocols might be called for in conducting cross- and inter-cultural, along with inter- and transdisciplinary research in the Environmental Arts, Humanities and Social Sciences?
- As policy-makers press for greater interdisciplinarity, notably in response to the ‘global challenges’ posed by the UN’s new Sustainable Development goals, do we need new models of evaluation to ensure scholarly rigour while fostering innovation?
- How might inter- and transdisciplinary research best be advanced within higher education? What challenges does this pose to current institutional structures, degree programmes, and pedagogies?
- What impediments and opportunities exist for researchers in the Environmental Arts, Humanities and Social Sciences to engage effectively with extra-academic communities, media, businesses, NGOs, and policy makers?
- What types of national and international association and vehicles of communication might provide the best avenues for advancing the Environmental Arts, Humanities and Social Sciences, locally, nationally and internationally?
These questions will be addressed through a series of multi-disciplinary panels relating to particular topics and aspects of Arts, Humanities and Social Science research.
5.15-7.00 Opening plenary (public event): Bridging the Great Divide (G23)
Opening: Chair, Richard Kerridge
Mike Hulme (Climate and Culture, King’s College, London)
Poul Holm (History and Environmental Humanities, Trinity University, Dublin)
Wendy Wheeler (Culture, Ecology and Biosemiotics, London Metropolitan University and Goldsmiths College, London)
With Maggie Gee (Creative Writing, BSU)
7.00-8.00 Official launch (Vice-Provost John Strachan) with wine reception and introduction to Media Wall art display, “The Derwent Project,” a collaboration between David Stephenson and Martin Walch, in foyer
Friday 16/12 (Corsham Court, Corsham, Barn Building)
9-10.30 Onto-epistemologies and ethics
12.20-1.20 Lunch (and campus walk, weather permitting)
1.20-2.50 Inter-species connectivities
2.50-4.20 NaturalCultural calamities
4.40-6.20 Eco-poetries and ecopoetics
6.20-7.00 Concluding discussion
7.15-9.00 Dinner at Biddestone Arms
Opening forum speakers:
Mike Hulme, Professor of climate and culture, King’s College London, whose study of climate change has moved progressively from natural science to social science and to humanities, but all the time broadly within the scope of the discipline of geography.
Wendy Wheeler, Emeritus Professor of English Literature and Cultural Inquiry, who was thrilled to discover, 12 years ago, the inter-discipline of biosemiotics. Here humanities scholars in semiotics work alongside biological scientists to explore the communicative life of all organisms and the ecological natural-cultural systems of which they are a part.
Poul Holm, Professor of Environmental History at Trinity College, Dublin, whose research into the travails of North Atlantic fisheries c. 1400-1700, as well as contemporary oceanic ecologies, entails the interdisciplinary combination of marine science and history.
and Bath Spa’s own Maggie Gee, an award-winning novelist and professor of creative writing, was influenced as a very young woman by a friendship with the founder of British ecology, CS Elton. Her novels from the 1980s onwards, from Light Years to The Flood, have also been informed by the science of climate change and by evolutionary biology.
Onto-epistemologies and ethics: Chair, Paul Reid-Bowen
Dr Paul Reid-Bowen is a Senior Lecturer in Religions, Philosophies and Ethics at Bath Spa University. His teaching and research interests encompass ecological philosophy, existentialism, and new religions and religious movements (notably feminist and nature religions). He is the author of Goddess as Nature: Towards a Philosophical Theology (Ashgate, 2007) and is currently writing a manuscript on the dark ecological future and the crisis of civilization.
James Fairhead (Environmental Anthropology, University of Sussex)
Termites, mud daubers and their earths: a multispecies approach to fertility and power in West Africa
This paper is less about onto-epistemology than about the way some people live with the humble ‘potter’ wasps and termites of West Africa. The works of these insects are, however, are anything but humble. First, in a very real sense they enable human reproduction: these two insects transform earth into soils that many pregnant women (and others) on the continent crave and eat and which give them much pleasure. In the modern language of nutrition, these insects enrich some of the soil that they work in the minerals that are critical to human health and reproduction but which are critically deficient in diets of poverty gleaned from anciently weathered, mineral-poor soils across much of Africa. Second, these insects appear to have coevolved with antibacterial and antifungal ecto-symbiont bacteria in their earth constructions and these protect their eggs and larvae from infection. This may explain the widespread but hardly researched medicinal use of these ‘insect earths’ by healers across the continent. The language of ‘mineral enrichment’ and of ‘antimicrobial effects’ is, however, not a grid within which these enriched earths, the insects that produce them, and their use by pregnant women and healers are discerned locally. This is where the discussion turns to ‘onto-epistemology’ when asking how the works of these insects understood by those who use them?
In much mythology across Africa these humble insects were rare witnesses to the creative endeavours of God, and most dramatically of God’s creation of people. In a local ‘chain of being’, these insects occupy a place equivalent to angels and demons in the Christian world. It is by taking a ‘multispecies’ approach to examine the intertwined lives of people and these insects that one can begin to appreciate the ecological dimension to so-called ‘religious’ thought. My reading of onto-epistemological approaches is that they respect our more earthy encounters – embracing how ‘objects’ acquire their significance not merely as ideational concepts, but in their materiality. Onto-epistemology would require analysis to be grounded in the everyday experience of these insects and their earths. Pragmatist philosophy can help too, in its observations that, in social life, a ‘search for security’ and optimistic experimentalism usually takes priority over any quest for certainty. Indeed, I respect Brian Morris’ who worries when anthropologists and philosophers forget this when in their own academic ‘quest for certainties’ they are led into an idealist extravagance “that undervalues the natural world and bypasses economic and political realities” (2006: 4). Morris is worried, for example, by accounts of medicinal practices in anthropology that, when discerning the significance of ritual and symbolism in therapy, downplay the significance of the experiential efficacy of medical therapy – its naturalistic and empirical component and the intrinsic powers of plants (Morris 2011). So, I want to help the audience understand the significance of ‘onto-epistemology’ though indigenous entomology – and how this might enable a paradigm shift in understanding aspects of West African religious thought.
James Fairhead is Professor of Anthropology at the University of Sussex. As an environmental and medical anthropologist, he develops conversations between the West and Central African ecological and medical worlds and the wider sciences and institutions with which they are engaged.
Graham Harvey (Religious Studies, Open University)
All our relations and kin based ecologies: the new animisms
New approaches to animism have generated significant and vibrant debate in the last 20 years or so in both scholarly and popular venues and publications. Frequently citing the work of Irving Hallowell and what he learnt among Ojibwa / Anishinaabeg, this “new” (approach to) animism contrasts with that of Edward Tylor who used the term to define religion as “belief in spirits”. When Tylor reinforced Protestant Christian theological emphases on believing, epistemology and transcendence or metaphysics, Hallowell learnt to mesh ontology with everyday relationality. The gulf between them is that of imagining humans as separate from the world or as intimate members of the larger-than-human world / community. Dialogical ethnographies and reflexive research have enriched this approach, finding data in the inherent relationality of human bodies (in which a high percentage of cells are other-than-human), the performances of foodways and etiquette among primates and predator-prey interactions, and in the gift economies of many indigenous cultures. What this research offers to the rethinking of planetary belonging and interactivity, begins with a challenge to Cartesian and other dualisms and separatisms, and pursues some radical and pluralist approaches to deep and pervasive relationality. If, as Hallowell reports, Anishinaabeg recognise that “some stones are alive” we are invited to think more carefully about the practicalities of multi-species co-inhabitation and co-dependence in the formation, maintenance and dissolution of place-communities, ecologies or planetary living. There are significant implications for the practice of ecological humanities scholarship as a(nother) mode of moving through the world/community. In this presentation, I particularly want to imagine a scholarly practice that takes Indigenous kinship ecology as its starting point rather than as something other to be explained (away).
Graham Harvey is Professor of Religious Studies at The Open University. Author or Food, Sex and Strangers: understanding religion as everyday life (2013), The Handbook of Contemporary Animism (2013) and Animism: Respecting the Living World. Current research project: “Indigenous performance cultures and the increase of democracy”, based in fieldwork at various Indigenous festivals (e.g. Riddu Riddu and Origins), funded by Norwegian Research Council as a contribution to REDO: Reassembling Democracy.
Mike Hannis and Sian Sullivan (Culture and Environment, BSU)
Ontology after Truth? Ethnography and Ethics in an Unravelling World
Over the last couple of years, we have been collaborating across the disciplines of environmental anthropology and environmental ethics to find points of intersection and departure in our approaches to understanding socioecological phenomena (see www.futurepasts.net). This endeavour may have seemed a simple one, concerned as we both are with considerations of sustainability and justice in the contemporary moment. In practice, however, we have encountered significant tensions at the meetings between the ethnographer’s allegiance to the particular, and the philosopher’s orientation towards more abstract universal ideals of human flourishing. In this conjoined presentation, we offer some reflections on our experiences of this cross-disciplinary tension. Is it possible for us to simultaneously celebrate the particular ontologies expressed through cultural differences and the emancipatory liberalism of universal conceptions of virtues, rights and personhood? Might finding a balance between these different approaches to ‘truth’ help us to keep our bearings in the seemingly unravelling world of ‘post-truth’ politics?
Part 1 Ethnography (Sian Sullivan, Professor of Environment and Culture, Bath Spa University)
For almost 100 years the practice of ethnography has encouraged anthropologists to unmoor themselves from their accepted cultural reference points. To make the exotic familiar and the familiar strange, as urged in a recent textbook in social anthropology. In environmental anthropology and political ecology, a move towards ontological considerations has intensified as researchers have dug more deeply into divergences regarding the assumed nature of reality, as indicated by differences in how environmental phenomena are framed and thereby known culturally. A consolidated ‘ontological turn’ in the social sciences and humanities more broadly has emphasised diversity in how cultures globally may know the nature of the natures they utilise and with which they co-exist. In this presentation, I follow this move through long-term ethnographic research with Damara (≠Nūkhoen) of northwest Namibia, focussing on the perceived agencies of both ancestors and non-human animals as they act in the present to mediate socionatural outcomes. I emphasise that differences in environmental knowledges are linked with ontology: with discourses regarding how the world is constituted, which create variety in the nature of being and how this can be both known and encountered. Sensitivity to the ontological politics through which spaces and entities are defined and known may be key to recognising and understanding with more depth the radically different ‘natures’ being struggled over in conflicts over how natures should best be treated and engaged with. Such sensitivity also generates insights into the particularity of the apparent universalisms informing many current technocratic solutions to global environmental concerns.
Part 2 Ethics (Mike Hannis, Lecturer in Environmental Humanities – Ethics and Sustainability, Bath Spa University)
Turning to ethics, these ethnographic findings seem to support and illustrate the attractions of a grounded ecological eudaimonism, an ethical perspective recognising a close relationship between human flourishing and the flourishing of the non-human world, congruent with with the concept of ‘virtues of acknowledged ecological dependence’ (after Alasdair MacIntyre). Stories and practices from such contexts can moreover have considerable heuristic value in support of ‘ecological virtue’, in ways that transcend their cultural origins: the problem of ‘absent phronimoi (moral exemplars)’ in environmental virtue ethics may not be as stark as Elizabeth Hursthouse claims. But in the broader contemporary context an older problem for eudaimonism re-emerges with new urgency. How are universalising claims about human flourishing to be justified and defended, as battered liberal aspirations to global rights and recognition seem in danger of slipping beneath rising Anthropocene tides of fear, misinformation and self-interested particularism?
Sian Sullivan is Professor of Environment and Culture at Bath Spa University. She works at the interface between culture, nature and finance to consider the different natures known and fabricated through especially indigenous and neoliberal ontologies. Her latest book is Law, Philosophy and Ecology: Imagining Re-embodiments (Routledge), and she is currently the research lead for two cross-disciplinary AHRC-funded projects (www.futurepasts.net and dsrupdhist.hypotheses.org).
Mike Hannis is a Lecturer in Environmental Humanities at Bath Spa University, specialising in environmental ethics and political theory. He is a researcher on the AHRC-funded Future Pasts project, and recently published a monograph entitled Freedom and Environment; autonomy, human flourishing and the political philosophy of sustainability (Routledge).
Spatio-temporalities: Chair, Rebecca Schaaf
Rebecca Schaaf is Deputy Vice Provost for Learning and Teaching at Bath Spa University. Her background is in the subject of geography, specifically around issues of poverty, wellbeing and sustainability, and she has also been involved in research focusing on the teaching of geography, effective assessment and feedback strategies, and methods of supporting students while on placement. Her other research interests and publications centre around the role of development organisations and the creation and effectiveness of partnerships for international development. She is a Senior Fellow of the Higher Education Academy and a Fellow of the Royal Geographical Society with the Institute of British Geographers.
Axel Goodbody (German and European Culture, University of Bath)
German Studies is a broad field, embracing history, politics, film, art and other disciplines alongside language and literature. My training and research are in literary criticism, and I have gained immeasurably from working with colleagues in English departments. But my approach probably differs from theirs by being more focused on the socio-politico-cultural context, linguistic analysis and intercultural comparison. I will comment on the experience of editing the interdisciplinary volume The Culture of German Environmentalism, organising the AHRC Network The Cultural Framing of Environmental Discourse, but say more about my recent participation in two Energy Humanities Networks, Stories of Change: The Past, Present and Future of Energy, and Connecting with a Low Carbon Scotland. Time permitting, I will finish by mentioning some of the problems encountered by the South, West and Wales AHRC Doctoral Training Partnership in its attempts to promote interdisciplinary PhD projects and training, and discussing the extent to which I have managed to integrate environmental issues in my own teaching in Modern Languages. The final year undergraduate Unit Heimat and National Identity will serve as an example, since Heimat (‘homeland’) has 3 key dimensions: space, time and identity, and speaks to the theme of spatio-temporalities.
Axel Goodbody is Professor of German and European Culture at the University of Bath. He is co-editor of the journal Ecozon@ and the book series Nature, Culture & Literature (Brill). Recent publications include articles and book chapters on ‘Heimat’, sense of place, framing in literary energy narratives, the German novel in the Anthropocene, Kafka’s animal stories, and German ecopoetry. He is currently co-editing a special number of the journal Resilience, ‘Stories of Energy: Literary and Historical Perspectives’, and co-authoring a book,Cultures of ‘Denial’: An Ecocritical Analysis of Climate Scepticism in Germany, France, the UK and the USA (Bloomsbury Academic).
David Farrier (English and Environmental Humanities, Edinburgh University)
Three North Sea Reflections
My talk will be a series of associative reflections on sites around the North Sea – taking in bronze age rock art panels, whale strandings, marine plastic, half a trillion tonnes of concrete, the poet Basil bunting, and Svalbard Seed Bank. I’m interested in how deep time flows through materials, life ways, and art works, and in how we frame messages to the very deep future. This is a reflective rather than scholarly piece, searching for a way to communicate the insights and values of the Environmental Humanities beyond the academy.
Dr David Farrier is a Senior Lecturer at the University of Edinburgh, where he convenes the Edinburgh Environmental Humanities Network. He is writing a book about deep time, environmental crisis, and contemporary poetry.
Nicola Whyte (History and Environmental Arts and Humanities, Exeter University)
For my contribution to the panel, I shall reflect upon my research as a landscape and social historian in the field of environmental humanities, and my experience of producing inter-disciplinary work on projects including Stories of Change: the Past, Present and Future of Energy (AHRC), and the Past in its Place: Locating the History of Memory in English and Welsh Locales (ERC). I’m particularly concerned with what it means to write the past in a present that faces catastrophic climate and environmental change and how the work of historians has led, often unwittingly, to what some writers have described as a failure of imagination to think for the future. I take as a starting point Mark Levene’s recent call for historians, and humanities scholars more generally, to seriously consider the ethics of writing the past and to give space to historical experiences that do not easily fit conventional narratives of historical change, modernity and progress. I’m particularly interested in the potential of the so-called ‘spatial turn’ in providing one way in which historians might enter a creative space for rethinking the past, and its purpose and functions now and for the future. It is a space, moreover, that requires if not demands us to think together and across conventional disciplinary boundaries.
Nicola Whyte is a landscape and early modern social historian with particular interests in the meanings of landscape, place and dwelling among pre-industrial rural communities in Britain. She has published on early modern landscape history, agriculture, resource management, energy systems, common rights, custom, oral memory, gender, everyday knowledges and practices of place. Recent works include ‘Senses of Place, Senses of Time: Landscape History from a British Perspective’ (Landscape Research); ‘An Archaeology of Natural Places: Trees in the Early Modern Landscape’ (HLQ) and ‘Spatial History’ (forthcoming in New Directions in Social and Cultural History).
Owain Jones (Geography, Culture and Environment, BSU)
Towards Hydrocitizenship, project overview and introduction.
This talk will introduction the large AHRC Connected Community Project research project “Towards Hydrocitizenship”. This multi-site multi-partner project is interdisciplinary and very much located in the environmental humanities ethos of critical-creative inquiry. The talk will set out the ‘bare facts’ of the project, its conceptual underpinnings, its methods and emerging outputs, and some of the challenges faced in doing this kind of work.
Owain Jones was appointed as the first Professor on the Environmental Humanities in the UK in 2014 at Bath Spa University. He has published over 70 scholarly articles and two books – Geography and Memory: Identity, Place and Becoming (2012) with Jo Garde-Hansen; and Tree Cultures: The Place of Trees, and Trees in their Place (2002) with Paul Cloke. He is currently leading a 1.5 million pound Arts and Humanities Research Council Connected Communities project which involves eight UK universities, community partners and artists in four case study areas across the UK.
Inter-species connectivities: Chair, Stephen Moss
Stephen Moss, Course Leader and Lecturer for Bath Spa University’s MA in Nature and Travel Writing, is one of Britain’s leading nature writers, broadcasters and wildlife television producers. A lifelong naturalist, he is passionate about communicating the wonders of the natural world to the widest possible audience. He has written more than 30 books on birds and wildlife, including Birds Britannia (HarperCollins, 2011) (accompanying the BBC4 series on the British and their love of birds), Wild Hares and Hummingbirds: the natural history of an English village (Vintage, 2012), a personal account of a year in the British countryside, at a time of great change, and Wild Kingdom: Bringing Back Britain’s Wildlife (Square Peg, 2016) ,a journey around the United Kingdom, to discover how Britain’s wildlife is coping with the modern world.
Michael Northcott (Ethics, Theology and Environmental Humanities, Edinburgh University)
How engagements with local nonhumans might help link British environmentalism with the new archaism and localism of post-Brexit British politics
Environmentalists are normally identified as cosmopolitans who favour government regulation of economic activities so as to protect biodiversity, the atmosphere, rivers and the oceans, ‘wild’ or sublime landscapes, and endangered species, locally and globally from degradation, destruction or pollution. Brexit and Trump voters on the whole resist environmental ‘terrapolitanism’ as another kind of top-down cosmopolitanism mediated by bureaucracies and laws emanating from meetings and agencies in ‘global’ gatherings in cities like Brussels, Paris and Washington DC. If climate change endangers one third of currently living species, this is not perceived by nativists as being of concern to the regions they intend to protect from foreign agencies and cosmopolitan power. This situation calls for environmentalists in the UK to develop new localist, even nativist, conservation strategies in which native species in local, or regional, ecosystems are mapped onto particular British cultural imaginaries, performances, stories and texts.
Michael Northcott is Professor of Ethics in the School of Divinity at the University of Edinburgh. He has published 12 books and over 70 academic papers. He has been visiting professor at the Claremont School of Theology, Dartmouth College, Duke University, Flinders University, and the University of Malaya. His most recent books include:Place, Ecology and the Sacred: The Moral Geography of Sustainable Communities (Bloomsbury 2015), Systematic Theology and Climate Change: Ecumenical Perspectives (Routledge 2014) edited with Peter Scot, A Political Theology of Climate Change (SPCK 2014).
Merle Patchet (Cultural Geography, University of Bristol)
Avian-accessories as archives: or, what do animals teach us about research practices?
A black bird, a black wing and a black plume are stored within a box marked ‘FEATHERS’. On careful removal and close inspection, it becomes clear they are fashioned creatures that would have once adorned hats. Yet these ‘avian accessories’ also archive their prior existence as living creatures, prompting the question: are they animals or are they artefacts? However, in What Animals Teach us About Politics? Brian Massumi has cautioned that the logics of categorisation can only lead to conceptual dead-ends. Moreover, for the researcher interested in what these avian-accessories might teach us about transspecies histories, these logics also prevent their full inclusion into the research process. Although an increasing number of historians are taking great pains to bring ‘the animal’ into historical analysis, in doing so they have ended up subtly reinstituting certain forms of human privilege and animal alterity. By contrast Massumi’s posthumanist logic of ‘mutual inclusion’ does not observe ‘the sanctity of the separation of categories, nor respect the rigid segregation of arenas of activity’ (Massumi 2014: 6). And, as I will demonstrate, nor do these avian-archives. Furthermore, by placing them at the heart of enquiry they demand a reconsideration of our research practices and priorities.
Merle Patchett is a cultural-historical geographer by training. Her research broadly focuses on theories, histories, and geographies of practice. This focus has led her to engage empirically with a range of specialised skills (e.g. taxidermy), practitioners (e.g. artists and architects), and places of practice (e.g. museums, galleries and archives) and to develop practice-based methodologies. She has also curated a number of touring exhibitions that have focused on human-animal entanglements, including Fashioning Feathers: Dead birds, Millinery Crafts and the Plumage Trade (2011-13).
Isis Brook (Philosophy, Agroecology and Transdisciplinary Studies, Writtle College)
Meeting the other than human and the transdisciplinary mode
There are similarities in the questions that surround interspecies connectivity and transdisciplinarity. Using modes of exploration of the other than human that do not reduce beings to human constructed categories or fanciful anthropomorphisms requires a respectful openness and a humility about one’s own system of understanding. Engaging in transdisciplinary research also requires flexibility and careful listening to other voices, including the usually marginalised. In both, asking the right questions of oneself and questioning prior conceptions help to ground a collaborative inquiry that is needed for both careful interspecies research and transdisciplinary research.
Isis Brook has taught philosophy at Lancaster University, the Open University and then University of Central Lancashire. She ran the distance course MA Values and Environment, based at Lancaster. Ever since her doctoral work Isis’ research has centred on questions to do with the human being’s relationship to nature and to the world. She has published in journals such as: The Journal of the British Society for Phenomenology, Ethics and the Environment, Landscape Research, and Ethics, Place, and Environment and has written extensively on cultural landscapes. She served for ten years as editor of the international journal Environmental Values. Now as Head of Faculty for Environment and Transdisciplinary Studies, at Crossfields Institute International she combines her enduring passions of exploring the human-plant relationship (now in the context of food production) through co leading the MA Philosophy of Social Innovation: researching Holistic Agroecology.
Richard Kerridge (Creative Writing, BSU)
As a nature writer and, in a slightly different way, as an ecocritic, I am concerned with the patchwork texts and strange combinations of knowledge and creativity that environmental problems demand. A central problem – central to literature and many other formations of subjectivity – is the difficulty of accommodating the spatial and temporal extent of environmental problems inside, or alongside, the frame provided by narrative subjectivity (‘point of view’, as it is called in Creative Writing classes). There is also the question of how narratives of personal experience can find room for scientific information, and of how non-scientists can evaluate and internalize that information. In much contemporary nature writing about non-human creatures, for example, there is an exuberant and sometimes uneasy combination of personal response, memoir, cultural history and ecological science. Such intersections are the territory of the Environmental Humanities.
Richard Kerridge is a nature writer and ecocritic. Cold Blood: Adventures with Reptiles and Amphibians, published by Chatto & Windus in 2014, is a mixture of memoir and nature writing and adapted for BBC national radio and broadcast as a Radio 4 Book of the Week in July 2014. Other nature writing by Richard has been broadcast on BBC Radio 4 and published in BBC Wildlife, Poetry Review and Granta. He was awarded the 2012 Roger Deakin Prize by the Society of Authors, and has twice received the BBC Wildlife Award for Nature Writing. At Bath Spa University, Richard leads the MA in Creative Writing. A leading ecocritic, he has published essays on ecocritical topics ranging from Shakespeare and Thomas Hardy to present-day fiction, poetry, nature writing and film. Writing the Environment (Zed Books, 1998), co-edited by Richard, was the first collection of ecocritical essays to be published in Britain. Richard is also co-author of the first book-length study of the poetry of J.H. Prynne. He has been an elected member of the ASLE Executive Council, and was founding Chair of ASLE-UKI. Richard is co- editor of the Bloomsbury Academic series entitled ‘Environmental Cultures’ – the first series of monographs in the Environmental Humanities to be published in Britain.
Natural Cultural calamities: Chair, James Jeffers
Dr. James Jeffers is a Senior Lecturer in Human Geography at Bath Spa University, specialising in the human dimensions of global environmental change, natural hazards and urban environments. He joined the staff at BSU in 2013 having previously taught at the University of Strathclyde and Rutgers University. He holds a Ph.D and M.Phil in Geography from Rutgers University as well as B.A. (Geography & Legal Science), LL.B. and LL.M. (Public Law) degrees from the National University of Ireland, Galway. His research focuses on the social, cultural and political dimensions of flood hazards management and climate change adaptation in coastal cities.
Greg Bankoff (Modern History, University of Hull)
Living Under the Volcano: Mt Mayon and co-volcanic communities in the Philippines
Rich volcanic soils have long attracted human settlements which have traded the risk of eruption against the benefits of higher agricultural yields. Yet little research has been done on the manner in which societies have normalized the risks and adapted to living in close proximity to volcanoes, or how those modifications, in turn, might have influenced the effects of an eruption and the consequent hazards. That is how people have co-evolved with volcanoes, to create “co-volcanic societies”. Mt. Mayon, in southern Luzon is among the most active of volcanoes in the Philippines, having erupted at least 49 times over the last four centuries. This paper offers a preliminary examination of a number of interrelated questions to do with how societal responses to volcanoes have developed over time, the differing impact of historical eruptions on communities, the role of politics and religion in influencing community vulnerability and resilience, the way progressive human modifications of the landscape affect volcanic hazard, and the manner in which painfully learnt human adaptations to volcanic risks are eventually ignored and cause societal maladaptations.
Greg Bankoff works on community resilience and the way societies adapt to hazard as a frequent life experience. For the last 25 years, he has focused his research primarily on the Philippines seeking to understand how societies, both past and present, have learnt to normalize risk and the manner in which communities deal with crisis through a historical sociological approach that combines archival analysis with fieldwork, community mapping, interviews and focus groups. An historical geographer, he is Professor of Modern History based at the University of Hull and has published extensively including approximately 100 referred journal articles and book chapters. His most recent publications include co-authoring The Red Cross’s World Disaster Report 2014: Focusing on Culture and Risk and a companion, coedited volume entitled Cultures and Disasters: Understanding Cultural Framings in Disaster Risk Reduction (2015).
Steven Hartman (Tourism and Geography, Mid-Sweden University)
What is new? What is changing? What remains the same?: rethinking the trajectories of environmental humanities and sciences in the coming decade
Environmentally engaged research in the humanities extends back well over half a century, most notably in fields such as environmental anthropology and archaeology, environmental history, environmental ethics, and more recently in literature and environment studies. Environmental research and scholarship typical of these distinct humanities disciplines can be contrasted with those of an interdisciplinary Environmental Humanities community of practice now unfolding in some international contexts. This talk briefly situates that emerging Environmental Humanities field in current academic landscapes, which are far from uniform across national, regional and cultural boundaries. Looking ahead over the coming 5-10 years the talk cautiously suggests a few promising pathways (as well as potential challenges) for collaboration not only among academics working in different humanistic disciplines, but also between humanities scholars and their counterparts in the Arts, the Social Sciences and the Natural Sciences.
Steven Hartman, Professor of Sustainable Geographies in the Department of Tourism and Geography, Mid Sweden University, in Östersund, Sweden, is a literary translator, creative writer, literary scholar and inveterate border crosser. For nine years, he has chaired the Nordic Network for Interdisciplinary Environmental Studies (NIES), and beginning this year, he is the convenor of the Humanities for the Environment Circumpolar Observatory based at Stefansson Arctic Institute in Akureyri, Iceland. His work focuses on mapping environmental consciousness and environmental memory in literature; integration of environmental humanities in global change research and policy; and collaboration among academics, artists and civil society in mobilizing public action on climate change. He leads the science-arts climate engagement project Bifrost — The Future is Now (2016-2019) and, with Astrid Ogilvie, co-leads the interdisciplinary research project Reflections of Change: The Natural World in Literary and Historical Sources from Iceland ca. AD 800 to 1800 (ICECHANGE, 2017-2020), funded by the Swedish Foundation for Humanities and Social Sciences.
David Higgins (English and Environmental Humanities, Leeds University)
Writing Tambora: Textuality, Empire, and the Catastrophic Assemblage
This paper draws on my work on the Tambora eruption of 1815 and subsequent global climate crisis as a textual catastrophe. Focusing on the narrative of the eruption produced by the British administration in Java, I address how this fascinatingly heteroglossic source can be productively understood not so much as a cultural commentary on a natural disaster but as part of a material-discursive catastrophic assemblage. However, I also reflect on the challenges associated with this sort of interdisciplinary ‘material ecocriticism’ approach; challenges that are ethical as well as conceptual.
David Higgins is Associate Professor in English Literature at the University of Leeds. He has published widely on Romantic literature and culture, including the monographs Romantic Genius and the Literary Magazine (2005) and Romantic Englishnness (2014). He currently holds an AHRC Leadership Fellowship for a project on British Romantic writing and environmental catastrophe, and am completing a book entitled British Romanticism and Climate Change: Writing Tambora.
Rich Johnson and Esther Edwards (Geography, Culture and Environment, BSU)
‘Science’- of value to Hazard & Disaster Challenges;
An Exposé on Interdisciplinary Research.
In the Indian Himalaya, ongoing, multi-disciplinary, tri-lateral (Canada, India, UK), participatory (light) research is exploring interconnected questions of mountain system process-hazard dynamics, community heritage-vulnerability- resilience conditions, and rapid development implications (e.g. HEP) in the context of international sustainable development and disaster risk reduction policy accords, in order to fashion a more sustainable future. Pursuing this hybridisation of themes has required large shifts across traditional intra/inter subject boundaries, and so many lessons have already been learned. This approach has without doubt been hugely beneficial in delivering an enhanced level of knowledge involving a range of non-academic organisations and communities speaking their local languages. Here we draw upon these research experiences, making the case that physical sciences are very much part of the effort to seek better understanding of and futures for the world, where a holistic understanding has to draw upon the in-depth approaches and outcomes of a range of disciplines. We seek to show the benefits of this approach to date, but equally to generate debate around a number of contentions; a challenge we should embrace together:
(1) Current thinking suggests that Interdisciplinarity has great potential to provide something greater than the sum of its parts. We suggest that this needs to be a genuine meeting of minds and a willingness to work together on the part of all the players. Hence we ask ‘interdisciplinarity for whom and using who’s methods?’
(2) Is this interdisciplinary endeavour merely following an in-vogue paradigm and being used as a vehicle of power for some parts of the interdisciplinary whole? Indeed disciplinarity seems to be negatively cast, being touted as a dirty word by some. But let’s not forget if we don’t develop discipline based knowledge, with parity, then we fail to populate cross-disciplinary endeavours with an improving knowledge and technique baseline, this will in due course stifle the progress of interdisciplinarity. Hence let’s not throw out the baby with the bathwater!
(3) Employers delivering technical services do still seek depth of disciplinary knowledge, so we need to create degree programmes that deliver societally relevant depth and breadth- this calls for a mix of the old and the new, not just radicalism!
(4) The language and approach of interdisciplinarity to date generates genuine discomfort in the scientific community- this we cannot ignore; together, we need to co-produce a better model of interdisciplinarity that fully embraces all of the disciplines represented in any project partnership.
These are not mindlessly provocative, anachronistic denials of the world; but instead genuinely open reflections of earth scientists/ geographers who do work in an already diverse discipline and more so across boundaries. We all have to talk, in common tongue, seeking to understand the array of contributions that can be brought into the mix, otherwise interdisciplinarity will develop within intrinsic bias/ reduced capacity and therefore fall short in optimising pathways to impact.
Dr Esther Edwards, Senior Lecturer in Geographic Information Systems, has changed tack a number of times during the course of her career, starting off in researching and teaching Coastal Management. She then spent a number of years working on aerial survey projects using low-cost digital systems for a variety of different applications, often, but not exclusively, in developing countries. Interesting and challenging projects include surveys of village encroachment on Murchison Falls National Park, Uganda; rehabilitation of semi-arid savannah in the rift valley, (Baringo) Kenya; landslide mapping and monitoring, San Cayetano, Colombia and coastal sand dune monitoring around the coasts of western Europe. This work precipitated a new direction in teaching in Remote Sensing and Geographic Information Systems. Esther’s current research interests are in community vulnerability and resilience to hazards focussing on mountain communities in the Kullu Valley, Indian Himalayas.
Dr Rich Johnson, Reader in Physical Geography, is the Chair of BSU’s ‘Changing Landscapes Research Group’, and a physical geographer/ geomorphologist by academic training and career vocation. He has worked inside academia (research and teaching), and also as a commercial geomorphologist and project manager for an international consulting engineering company- where he regularly worked with technical specialists across a wide range of disciplines, local to international clients and public stakeholders. His research portfolio is twin track: (1)Upland/ mountain sediment system dynamics in the English Lake District. Exploring the movement of sediments by flood and landslides processes in mountain catchments, and their consequent hazard and risk dimensions; and (2)Multi-disciplinary assessments of floods, heritage, vulnerability and resilience in the Indian Himalaya. These fall under the banner of disaster risk reduction, which calls for effective multi and inter-disciplinary research. Accordingly, it uses as range of science, social science, and humanities techniques and community based participatory engagement tools.
Ecopoetries and ecopoetics: Chair, Terry Gifford
Terry Gifford is Visiting Scholar in Environmental Humanities at Bath Spa University and Profesor Honorifico at the University of Alicante. He is the author of seven collections of poetry, most recently, with Christopher North, Al Otro Lado del Aguilar (2011), in English and Spanish, and Ted Hughes (2009), Reconnecting With John Muir: Essays in Post-Pastoral Practice (2006), Pastoral (1999), Green Voices: Understanding Contemporary Nature Poetry (2011 ), editor of The Cambridge Companion to Ted Hughes (2011) and New Casebooks: Ted Hughes (2015), and is a contributor to The Cambridge Companion to Literature and Environment (2014). He is currently editing Ted Hughes in Context for CUP and preparing a new collection of poetry, A Feast of Fools, for Cinnamon Press.
Emily Brady (Philosophy and Environmental Humanities, Edinburgh University)
Reflections at the Intersection of Aesthetics and Environmental Ethics
Three topics will be covered in my presentation. First, I reflect on the challenges that aesthetics faces in relation to environmental ethics. Environmental ethicists often view aesthetic considerations as less serious than ethical ones, which leads to the neglect of some very useful discussions taking place among environmental aestheticians. Second, I ask what special expertise philosophers can offer to the environmental humanities and share some thoughts about navigating the challenges of interdisciplinary research. Finally, I reflect briefly on my experience as the director of MSc Environment, Culture, and Society (University of Edinburgh), and how this multidisciplinary programme has developed over the years.
Emily Brady is Professor of Environment and Philosophy at the University of Edinburgh. She has research interests in aesthetics and philosophy of art, environmental ethics, eighteenth-century philosophy, and animal studies. Her most recent book is, The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature (Cambridge UP, 2013), and she is currently working on a co-authored book, Aesthetics Between Nature and Culture, with Isis Brook and Jonathan Prior.
Graham Huggan and Sarah Yoho (English and Environmental Humanities, Leeds University)
Literature and its Discontents: Environmental Humanities in Practice
Literary studies is one of the core disciplines of environmental humanities, at least in theory. What happens though when institutions require literature to be analysed — and in a certain way — as part of a particular degree programme, and what happens to interdisciplinarity in theory when subject-specific protocols, e.g. those attached to English Schools or Departments, are put into practical effect? The main aim of the paper will be to share the experiences of doctoral students on the Environmental Humanities ITN at the University of Leeds, none of whom have a literature background, but who are nonetheless required to meet the expectations of an English PhD.
Graham Huggan (University of Leeds) is project leader for an EU-funded ITN (Innovative Training Network) in Environmental Humanities (ENHANCE), which involves twelve doctoral researchers spread across three different countries: Germany and Sweden, as well as the UK. Sarah Yoho is one of the four Leeds-based researchers.
Harriet Tarlo (Creative Writing, Sheffield Hallam University)
I shall talk informally about particularity in relation to the theme of the symposium. Drawing an ecological reading of this concept out of the poetry and poetics of Thomas A. Clark, I shall go on to relate it to my own poetry and poetics, and to the cross-disciplinary practice I am engaged in with the artist Judith Tucker. I shall also raise the question of what we mean when we talk about cross, inter, intra, multi and trans disciplinarity in relation to work in the environmental humanities and beyond, and whether deep exploration and differentiation of these terms may help us in our endeavours or is merely a distraction?
Harriet Tarlo’s publications include Field: Poems 2004-2014; Poems 1990-2003 (Shearsman 2016, 2014, 2004); Nab (Etruscan, 2005) and, with Judith Tucker, Sound Unseen and behind land (Wild Pansy, 2013 and 2015). She is editor of The Ground Aslant: An Anthology of Radical Landscape Poetry (Shearsman, 2011). Critical work appears in volumes by Salt, Palgrave, Rodopi and Bloodaxe and in Pilot, Jacket, English and the Journal of Ecocriticism. Her collaborative work with Tucker has shown at galleries including the Catherine Nash Gallery Minneapolis, 2012; Musee de Moulages, Lyon, 2013; Southampton City Art Gallery 2013-14; The Muriel Barker Gallery, Grimsby and the New Hall College Art Collection, Cambridge, 2015. She is a Reader in Creative Writing at Sheffield Hallam University.
Samantha Walton (English, Culture and Environment, BSU)
Early Career Researchers and Non-Academic Collaboration in the Environmental Humanities
In this talk I will reflect on my experiences working with extra-academic communities, media, businesses, NGOs, and policy makers as part of the British Academy-funded project Landscaping Change (2015-2016) and my current AHRC-funded project Cultures of Nature and Wellbeing (2016-2018). Specifically, I will address the challenges and opportunities of engagement work as they are experienced by early career researchers in a context in which non-academic networking and impact have become pre-requisites for winning research bids. A funding track record and funding potential have, of course, become both essential in order to secure a permanent position and in order to be granted sufficient leave and resources to undertake scholarly work. Taking this into consideration, I will address the positives, negatives, and contradictions of collaborative work in the environmental humanities for researchers newly launched in an academic career.
Sam Walton, Senior Lecturer in English at BSU, specialises in twentieth and twenty first century literature, from the modernist period to contemporary experimental writing, and in particular British literature and culture of the 1920s and 1930s. Her research is informed by environmental humanities and health humanities perspectives, and in June-July 2016 she was Environmental Humanities Research Fellow at the Institute of Advanced Study in the Humanities at the University of Edinburgh. A co-editor of the ASLE journal, Green Letters: Studies in Ecocriticism, her work is supported by a British Academy Rising Star Engagement Award and an AHRC grant. She is the author of a scholarly monography, Guilty But Insane: Mind and Law in Golden Age Detective Fiction (OUP, 2015), and has also published several pamphlets of her own poetry, including Animal Pomes, which came out from Crater Press in 2015.
Some photos of the event and campus