Wednesday October 18th 6.30 pm -8.00 pm inc discussion, wine and snacks; Newton Park Campus; Commons Building; Room 225; this is a free event but please book a place through Bath Spa Live here
Abstract. This paper takes as its starting point an encounter with a preserved blue bird-of-paradise skin. Though rare, the bird became wildly famous after it perched atop the head of Carrie Bradshaw during Sex and the City: The Movie. For those handling bird-of-paradise skins the ethereal beauty and luxurious quality of their plumage is immediately felt, making it easy to understand why birds-of-paradise have “for millennia been ornaments, commodities and gifts”.[i] Yet as Darwin’s theory of sexual selection tells us, the birds’ exuberant plumage evolved entirely for their own pleasure. This paper will therefore chart the blue bird-of-paradise’s biogeographies of excess: from sexual selection to Sex and the City. Tracing the lively geographies of this dead bird from New Guinea rainforests to New York streets offers the opportunity of narrating collective natural and cultural change over time and space. This is because the blue bird-of-paradise can be thought of as a “telling example” of the millions of Paradisaea that were hunted, traded, shipped and lusted after since their earliest forms of commodification. Moreover, with the Paradisaea now said to be on a “flight to oblivion” the paper will conclude by outlining how the blue bird-of-paradise offers a way of working towards transspecies histories and therefore multispecies recuperation.
Merle Patchett is a cultural-historical geographer by training. Her research broadly focuses on theories, histories, and geographies of practice. This focus has led her to engage empirically with a range of specialised skills (e.g. taxidermy and plumasserie), practitioners (e.g. artisans, artists and architects), and places of practice (e.g. museums, galleries and archives) and to develop practice-based methodologies. See Merle’s staff pages here
Held at Gallery 44AD in the centre of Bath, the exhibition brings together images, music and video installations made in collaboration with people and organisations in west Namibia.
It will be a contemplative space where the themes of sustainability, identity and displacement weaving through our research are evoked in registers beyond academic critique.
We will also be hosting a virtual version of the exhibition – please come and visit! For those in Namibia, from 2018 we’ll be reconvening the exhibition in Windhoek and beyond. We hope to see you in one or more of these spaces.
Sian Sullivan; Mike Hannis; Angela Impey; Chris Low; Rick Rohde
In the image above, a Damara / ≠Nūkhoen woman walks through the landscape at Sorris-Sorris, west Namibia. Her voluminous dress echoes those worn by European
missionaries in the 1800s, signalling the complex and hybrid histories enacted in this arid African land.
Photo: Sylvia Diez, March 2016.
From a Future Pasts storytelling event held near Namibia’s highest mountain – the Brandberg or Dâures.
Sweet Waters: June 10- 21. Short and longer creative performative walks along the River Avon between Bath and Bristol sensing legacies of slave-ownership.
Wayfaring in obscured histories, reflecting on flow, cycle and memory; alert for sounds, voices, tears, sweat and blood suspended in the water.
Opportunities to gather sound, and images, sketch, share talk and think.
Its not a history walk, we will make it what we make it. Its about us.
A few places are left on a number of these walks.The walks progressively build up to a return walk from Avonmouth on midsummer’s day, Weds 21 June. Walking all the way back to Bath up the river from dawn to dusk, walking with the tide, sharing, gathering sounds images and thoughts.
Join on foot or follow live on Viewranger or Social Hiking and Twitter @walknowlive fb@nowwearewalking
Part of the Festival of Nature, Fringe Arts Bath (embodied cartographies) and Bath Festival Fringe
Primordial at Fringe Arts Bath, by Laura Denning; BSU Env Hums PhD
This exhibition brings together eleven artists whose work considers how humans and other species relate to water, often from an ecological and geopolitical perspective. After responding to the annual call out I was selected as a Guest Curator for Fringe Arts Bath 2017. This is my second year of involvement and I was keen to return to Cleveland Pools as a venue. I was also interested in using the curatorial opportunity to explore my research interests as a PhD student at Bath Spa University, doing a practice-led degree in Environmental Humanities. All my work focuses on water and I am becoming increasingly interested in inter-species relationships in an aquatic context. So I put a call out to artists to this effect, and Primordial is the result.
Come to the Finale event with alldaybreakfast at Cleveland Pools, 1pm on Sunday June 11th.
Laura Denning (curator) thanks Bath Spa University Environmental Humanities Research Centre, and Bath Spa University Public Engagement Fund for their kind assistance. Recipient of the Bath Spa University Research Centre for Environmental Humanities inaugural PhD Studentship – practice-led. With many thanks to the Trustees of Cleveland pools, especially Sally and Ann, and to Arran and Scarlet at Fringe Arts Bath, and to all the artists taking part.
More info about the artists can be seen in this flyer download to see